Before & After: A Flooded Basement Kicked Off a Family’s Whole-Home Renovation in Montana

A new soft-blue kitchen that’s now open to the dining area sets the tone for the updated Bozeman midcentury.
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Sometimes a crisis becomes an opportunity. Such was the case when Abby Eskin and Zak Smith’s home flooded after pipes burst from a cold snap, forcing a renovation that turned into a whole-home makeover. The couple had moved from Los Angeles to Bozeman, Montana, with their two children, Zoe and Smith, and were living in a rental when they purchased the 1950s home. Situated near Montana State University in one of Bozeman’s only neighborhoods of midcentury residences, it attracted Abby and Zak with its floor-to-ceiling living room windows that filled the space with natural, even on dark wintry days.

After parts of their Bozeman, Montana, midcentury home flooded, Abby Eskin and Zak Smith took the opportunity to renovated beyond just the damaged spaces.

After parts of their Bozeman, Montana, midcentury home flooded, Abby Eskin and Zak Smith took the opportunity to renovated beyond just the damaged spaces.

But the rest of the house didn’t get much light, especially the kitchen, and its spaces felt disconnected from one another. Zak and Abby had been contemplating a renovation, but as Zak recalls, "We could be a little bit slow moving." Then, when the basement and primary bedroom flooded, knowing these spaces would have to be remediated and essentially gutted, the couple realized this was their chance to do something more. Their daughter Zoe provided a push.

"When we were thinking about renovating, our daughter said, ‘I’d like to still live here when the house is done, before going to college,’" Zak recalls. "I hadn’t really been thinking about it that way, but Zoe was right. She wasn’t gonna get to experience the renovated house if we didn’t get things moving."

The couple realized what they didn’t want was a typical regional approach, with "these kind of austere mountain-style or ski-lodge-feeling homes," Abby recalls. "I was definitely worried that people wouldn’t get our aesthetic here." What they did want was plenty of light and openness, and to embrace color.

Before: Living Room

The couple liked their living room from the start, with windows on three sides bringing in natural light year round.

The couple liked their living room from the start, with windows on three sides bringing in natural light year round.

After: Living Room

The fireplace, walls, and window trim were painted white to brighten the space.

The fireplace, walls, and window trim were painted white to brighten the space.

They met architect Allison Bryan, founder of Open Studio Collective, through their children, who attended the same school, and became intrigued once they learned Bryan had recently renovated her own home in Bozeman, another midcentury. "She had some great ideas right off the bat, just walking around the house, about things that we wouldn’t necessarily have thought of," Abby says. Bryan immediately saw untapped potential. "It was these really segmented spaces with no connectivity. We just wanted to open everything up," the architect recalls.

Before: Kitchen

The kitchen felt cut off from the rest of the house, and a skylight with a frosted pane wasn’t letting in much light.

The kitchen felt cut off from the rest of the house, and a skylight with a frosted pane wasn’t letting in much light.

After: Kitchen

The kitchen now feels much brighter with custom blue cabinetry and beech wood floors. The white countertop is by Caesarstone.

The kitchen now feels much brighter with custom blue cabinetry and beech wood floors. The white countertop is by Caesarstone.

Architect Allison Bryan and her firm, Open Studio Collective, took inspiration from an original curved bathroom vanity in the home to create a curved counter extension in the kitchen. The white tile backsplash is by Fire Clay, and the Verner Panton Flowerpot hanging lamp is from &tradition.

Architect Allison Bryan and her firm, Open Studio Collective, took inspiration from an original curved bathroom vanity in the home to create a curved counter extension in the kitchen. The white tile backsplash is by Fire Clay, and the Verner Panton Flowerpot hanging lamp is from &tradition.

The upper portion of wall between the basement stairway and the kitchen was removed and its lower half replaced with glass, creating more openness between the basement and upstairs.

The upper portion of wall between the basement stairway and the kitchen was removed and its lower half replaced with glass, creating more openness between the basement and upstairs.

Bryan specifically calls out an awkwardly placed casework coat closet near the front door, which was cutting off the the entrance from the living room—it had to go. So did a wall and cabinetry separating the kitchen from the living and dining area, since it partially blocked window light. A skylight in the kitchen, too, left something to be desired.

"I remember the first day I walked in, there was this huge skylight in the kitchen and it was completely covered up by a frosted piece of acrylic sitting low within the skylight that was cracked," Bryan recalls. "I was like, Let’s take this out right now." Today the kitchen stands out thanks to its refurbished skylight and custom blue cabinetry, which has a curved bar area at the edge of the space, a reference to a curving vanity in the kids’ bathroom, which was original to the house.

Before: Main Bathroom

The main bathroom was functional, but did not feel inviting.

The main bathroom was functional, but did not feel inviting.

After: Main Bathroom

In the main bathroom, new wood cabinetry was paired with hardware repurposed from the original kitchen.

In the main bathroom, new wood cabinetry was paired with hardware repurposed from the original kitchen.

It features tile by Dwell and Concrete Collaborative.

It features tile by Dwell and Concrete Collaborative.

In reference to the blue they chose, says Zak, "I’ve always enjoyed some of the midcentury-modern playfulness with color, and wanted to kind of embrace that, but not exactly the same—not with, say, avocado. Allison gave us a lot of choices. She had a strong vision, but was able to understand our aesthetic and really bring out the best in that."

A major change was adding beechwood floors throughout the main level, their light tone brightening the spaces. Bryan had chosen the same floors, milled by Sheoga Flooring in Ohio, for her own home’s renovation. There were also key investments one doesn’t see, but made the home much more energy and resource efficient: new HVAC, plumbing, and insulation.

Before: Basement Stairs

A flood in the basement, caused by pipes that burst after a cold snap, prompted the renovation.

A flood in the basement, caused by pipes that burst after a cold snap, prompted the renovation.

The basement stair was narrow and cramped.

The basement stair was narrow and cramped.

After: Basement Stairs

Although the width of the stairway walls didn’t change, new beechwood stairs, a wider extension at the bottom of the space, and white paint make it feel brighter and less confining.

Although the width of the stairway walls didn’t change, new beechwood stairs, a wider extension at the bottom of the space, and white paint make it feel brighter and less confining.

Treads in the new stair contain storage.

Treads in the new stair contain storage.

Because there are no longer cabinets or a wall separating the kitchen and dining area, the spaces feel more connected. An open shelf on one side of the kitchen lets in more window light, as does the refurbished skylight. And by removing a portion of another wall beside the stairway leading to the basement, then cladding the lower portion of the wall in glass, the kitchen also feels better connected to the basement level. "When you’re sitting at the counter, you can see if someone is hanging out downstairs," Bryan says.

Because it receives more light from upstairs as well as from new windows, the basement, which acts as a family room and (with the help of a Murphy bed) a guest room, "doesn’t feel like a basement," Zak adds. "It just feels like another level of the house." The stairway has been widened about halfway down, letting the family use it as stadium seating. Double-height treads there double as storage space, too.

Before: Dining Area

The living and dining areas were already one large open space, but a coat closet cut off the entrance from the living room and felt out of place.

The living and dining areas were already one large open space, but a coat closet cut off the entrance from the living room and felt out of place.

A wall separated the kitchen from the rest of the house, making it feel isolated.

A wall separated the kitchen from the rest of the house, making it feel isolated.

After: Dining Area

The wall between the dining area and kitchen was removed, creating an open feel. The ceiling plane and the floor transition were given a curve to match the new kitchen counter.

The wall between the dining area and kitchen was removed, creating an open feel. The ceiling plane and the floor transition were given a curve to match the new kitchen counter.

In the shower of the flood-damaged primary bath, to complement the kitchen cabinetry, Open Studio Collective and the homeowners chose tiles by Dwell and Concrete Collaborative in a shade of blue.

"The original bathroom had this yellow laminate, so at first we were trying to replace it with a new yellow, but Abby and Zak kept being drawn to blues," recalls designer Georgia Barnett of Open Studio Collective. "And with this tile, there’s a lot of variation in the color, more than we realized when we were selecting it, because it’s handcrafted. I think it adds so much more depth than if it were to choose identical tones."

Before: Kids’ Bathroom

The kids’ bathroom felt cramped, but the designers liked its curved vanity, which became a motif for the renovation.

The kids’ bathroom felt cramped, but the designers liked its curved vanity, which became a motif for the renovation.

After: Kids’ Bathroom

A new custom vanity is modeled after the original. The floor tiles are Cement Mythology and Celadon + RU by Clé Tile and the wall tile is Keystone Mint Ice by Daltile. The vanity and shower fixtures are by Brizo.

A new custom vanity is modeled after the original. The floor tiles are Cement Mythology and Celadon + RU by Clé Tile and the wall tile is Keystone Mint Ice by Daltile. The vanity and shower fixtures are by Brizo.

The curve in the vanity creates more space beside the shower, its countertop running inside the shower itself.

The curve in the vanity creates more space beside the shower, its countertop running inside the shower itself.

In the kids’ bathroom, a new custom vanity replicates the original’s curve. Its shape is functional, becoming narrower nearer the shower to create more floor space. An update to the original, the countertop now extends past the glass shower door to form a shelf inside the shower.

Arguably the most distinctive bedroom is not the primary, but the couple’s daughter Zoe’s, which originally was clad almost entirely in stained plywood. The family loved the look, but overall the space was dark, and the ceiling sagged. The renovation retained the built-in plywood desk as well as a plywood-clad wall, but now, a white ceiling brightens the room substantially.

Before: Second Bedroom

The family loved Zoe’s bedroom for its plywood walls, ceiling panels, and built-in desk. Abby and Zak even considered using it as their primary bedroom.

The family loved Zoe’s bedroom for its plywood walls, ceiling panels, and built-in desk. Abby and Zak even considered using it as their primary bedroom.

It felt dark, though, and the ceiling panels were sagging.

It felt dark, though, and the ceiling panels were sagging.

After: Second Bedroom

Wanting to preserve the original stained-plywood cladding while brightening the space, the couple and Open Studio Collective chose a middle ground: replacing the floors and ceiling while retaining the plywood built-in desk and closet doors.

Wanting to preserve the original stained-plywood cladding while brightening the space, the couple and Open Studio Collective chose a middle ground: replacing the floors and ceiling while retaining the plywood built-in desk and closet doors.

The cabinet doors are original.

The cabinet doors are original.

Open Studio Collective also retained a distinctive series of recessed ceiling lights in several rooms, which provided relatively little illumination, and in some rooms didn’t work at all. The clients wondered about taking them out altogether, but Bryan advocated they be retained. "It was a small thing, but really cool, and reminded me of Alvar Aalto," she said. Simply replacing the old fluorescent bulbs with LED lights made them much more effective.

The renovated and enlarged basement bathroom features Hyannis Concrete floor tile and High Line Hyannis & White Concrete wall tile by Zia Tile, with vanity and shower fixtures by Brizo.

The renovated and enlarged basement bathroom features Hyannis Concrete floor tile and High Line Hyannis & White Concrete wall tile by Zia Tile, with vanity and shower fixtures by Brizo.

Bryan’s firm served as the general contractor as well as the architect, as had been the case for Bryan’s own house. But this was the first time serving in that capacity for another client; Zak and Abby made a point of giving an opportunity to a woman-owned firm.

With the renovation complete, the family not only love the bright, colorful look of their home, but it also helps them feel more connected. "I think it’s easier to have a feel of where everyone is and how they’re living in the space, whether it’s our son downstairs playing a video game, or our daughter down the hall," Zak says.

Although wintertime conditions mean the landscaping was yet to come, a new exterior paint job gives the home a rejuvenated look.

Although wintertime conditions mean the landscaping was yet to come, a new exterior paint job gives the home a rejuvenated look.

In particular, the kitchen has become a multidimensional space for socializing and work. "The kitchen was really closed off before," Abby explains. "It used to be if someone was there, they weren’t really interacting with anyone else in the house. But I tend to do everything here now. I will work here at the kitchen counter sometimes, if I’m not going to my office, and kids will hang out here a lot. It’s much more of a family space."

And crucially, for a family that moved from Southern California to Montana, the added windows and openness help them feel closer to nature. "If someone’s like, ‘There’s a deer in the yard,’ you don’t have to walk into the other room to go see," Zak says. "That quick access to the natural world, we really enjoy. I think the kids do, too."

Floor plan of Bonton Midcentury by Open Studio Collective

Floor plan of Bonton Midcentury by Open Studio Collective

Project Credits:

Architect of Record: Open Studio Collective

Builder: Open Studio Collective

Structural Engineer: DCI Engineers

Custom Cabinetry: Applewood Studio

Brian Libby
Dwell Contributor
Brian Libby is a Portland-based architecture writer who has contributed to Dwell since 2004. He has also written for The New York Times, Architect, CityLab, Salon, Metropolis, Architectural Record and The Oregonian, among others.

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